History of Media

Media history in a general sense refers to the historical development of communication tools, especially the mass media (press, radio and television). In a narrower sense, the term research into the history of media through the Media Studies. Media history is also a branch of communication and history, where the communication of science also uses the term "communication history."

The additions of the disciplines in some cases differ significantly, which is particularly relevant to the concept of media and methodological assumptions. Depending on the concept of media stories the media put so partly in the prehistory and early history, partly by the invention of the printing press or until the advent of electronic media middle of the 19th Century.

The scientific analysis of the history of mass media can be divided into the program, organization, and technology and reception history.

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Baby Fun

Composition, an automatic picture framing

He represents the viewfinder of a camera in its spatial context, and its functionality represent one section of the life because he often constructs a rectangular section is separated from a whole, it separates, it also features a frame.

Especially in traditional photography had to be constructed exactly as possible to see what in the cut and how it should be arranged before the shooting. The size limits of digital photography will be blown up due to the generous rework ability almost.

Nevertheless, basically at the base of the motif search has not changed. Once you look through the viewfinder, begins with composition. Even if the digital processing on the computer suggests the need for non-thought-image arrangements, so play frame boundaries and orientation of the photographed still a major role. This is unfortunately all too often underestimated. A cathedral, surrounded by thousands and thousands of those tourists can snap, Ender, with the right composition to get an unexpected source of strength, as well as the abandoned house in a desolate landscape in the intuitive or photography on the road.

As in painting, the picture inside, depending on how it is arranged, how it dominates or non-dominant, impact on the framing and borders of the image. This dynamic play-producing lines and their direction and movement, color, shape and size a large role. All components that have decisive for the impact and aesthetics of a photograph. Since these are variable, they also offer a huge scope of design and at the same time effect possibility.

Wholesalers or small-format photographs, arranged by thought, also have a greater chance of a subsequent frame, yet successful and impressive work.

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Painting Framing